{"id":2256,"date":"2012-06-04T13:53:00","date_gmt":"2012-06-04T04:53:00","guid":{"rendered":"http:\/\/kamitopen.com\/wp\/?p=2256"},"modified":"2021-03-15T11:42:38","modified_gmt":"2021-03-15T02:42:38","slug":"moisteane-%e4%bb%99%e5%8f%b0%e5%ba%97","status":"publish","type":"post","link":"http:\/\/kamitopen.com\/en\/2012\/06\/04\/moisteane-%e4%bb%99%e5%8f%b0%e5%ba%97\/","title":{"rendered":"moisteane SENDAI"},"content":{"rendered":"\n

moisteane SENDAI<\/strong>
Miyagi, Japan \/ 2012

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“Skin”

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moisteane is a salon that offers a beautiful pure skin. I thought that the proper space for it would be a space people can feel the “skin”.

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“Skin” is made from surface skin, inner skin and subcutis. And in the surface skin, new cells are constantly pushing out old cells by repeating turnover. I considered that in this space, steel frames and concrete are the “bone”, plasterboards and LGS are the “flesh” and finishing materials such as cloths and paints are the “skin”. I especially wanted to use a lace, which is a material that is most similar to a skin, to express skin.

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I used lace curtains as partitions that are needed in the space; by looking from each curtain, you can see through it completely, but if you look at the space as a whole, the curtains are opaque. Moreover, I adopted laces as a finishing material of the walls too by sticking them and expressed the layer of the “skin” more directly.

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In order to realize the request of the client “to assume using it as one big space”, I have made all the partition movable.


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Photos by Keisuke Miyamoto


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< PRESS >
Shoten Kenchiku Aug. 2013 Issue<\/a><\/p>\n\n\n\n

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